Biography

 

Luis Codera Puzo (Barcelona, 1981) is a composer, cultural manager, and performer of modular synthesizers and electric guitar.

 

Codera Puzo has stood out for his active involvement in the use and performance of modular synthesizers, for which he has created various compositions, studies, and writings. His instrumental technique, focused on performativity and precise interaction with other musicians, has allowed him to compose works such as MUR#03, one of the first concerts for modular synthesizer and orchestra, premiered by the OBC (Orquestra Simfònica de Barcelona i Nacional de Catalunya, and the piece Compression Music for synthesizers and amplified ensemble, created with support from the Leonardo Grants of the BBVA Foundation.

 

In his continuously evolving career, acoustic music has also been significant, aimed at clarity and the unequivocal expression of ideas as tools to explore unique proposals. Works such as Code is poetry (premiered by the Quatuor Diotima) employ unisons, repeated notes, and monolithic writing to leave space for listening and to highlight aspects normally less perceptible, such as the vibrato of the instruments.

 

His musical training began autodidactically; he later studied piano, electric guitar, percussion, and trombone, covering a wide range of musical styles and interests, before focusing on composition at ESMUC in Barcelona and at the Hochschule für Musik Karlsruhe.

 

His career highlights include the Composition Prize from the Ernst von Siemens Musikstiftung and a residency as guest composer at L’Auditori de Barcelona in 2017. His music has been performed in venues and festivals worldwide by ensembles such as Klangforum Wien, Ensemble Modern, Ensemble intercontemporain, and ensemble recherche, among many others. He has released recordings on Col legno and Neu Records.

 

Valuing the importance of listening and collaboration in the artistic community, he has devoted much of his work to supporting the music of others, as well as programming and cultural management. He has played a key role in renewing the new music scene in Barcelona, organizing and advising on more than one hundred concerts, sound experiences, and commissions to creators. Among his most notable projects are the founding and direction of the ensemble CrossingLines and the OUT·SIDE cycle of unusual music in contemporary art centers, with special attention to artistic coherence and ensuring fair working conditions. Currently, Codera Puzo serves as strategic and management advisor for the FRAMES Percussion group, contributing to its consolidation as a leading ensemble in Spanish contemporary music, recently awarded the Ensemble Prize from the Ernst von Siemens Musikstiftung.

 

Codera Puzo has taught classes and given lectures at institutions such as the Hochschule für Musik und Theater Hamburg, Musikene, Taller de Músics Escola Superior d’Estudis Musicals, ESMUC, the Centre Superior Conservatori del Liceu, the Royal Conservatory of Music in Madrid, the Mallorca Summer Academy, and the II Jornadas de Sonología de Córdoba.

Composition training

Composition Degree with Agustí Charles; Escola Superior de Música de Catalunya (ESMuC), Barcelona.

Solistenexam with Wolfgang Rihm; Hochschule für Musik Karlsruhe.

Seminars and courses with Louis Andriessen, Luca Cori, J. P. Oliveira, Héctor Parra, Elena Mendoza, David Horne, Kaija Saariaho, J. M. Sánchez Verdú, Lasse Thoressen, Luis Naón, Olga Neuwirth, Enno Poppe, G. F. Haas, Beat Furrer, Unsuk Chin, Alessandro Solbiati, Xavier Boliart, Pierluigi Billone, Santi Galán, Albert Llanas.

 

Performances and commissions with ensembles and musicians

Klangforum Wien, ensemble recherche, Ensemble Intercontemporain, Quatuour Diotima, Orquestra Simfònica de Barcelona i Nacional de Catalunya (OBC), Orchestre National de Lorraine, ensemble TEMA, Minguet Quartett, Ensemble New Babylon, Pulse Quartet, Badischen Staatskapelle, Duo Signal, Duet 2.26, Camerata Variabile Basel, UMS ‘N JIP, CrossingLines, FRAMES Percussion, Zahir ensemble, BCN216, Placa Base Col·lectiu Instrumental, George-Elie Octors, Sarah Maria Sun, Lluïsa Espigolé, Neus Estarellas, Feliu Ribera.

 

Performances at festival and concert series 

Invited composer 2017 of L’Auditori de Barcelona.

Huddersfield Contemporary Music Festival, ManiFeste (Paris), Sampler Sèries (Barcelona), Sound of Stockholm, Impuls (Graz), Acanthes, Injuve, Mixtur (Barcelona), Avignon Festival, Ciclo de Conciertos BBVA (Bilbao), Mostra Sonora de Sueca, Ciclo 20/21 del CNDM (Madrid), Nou Sons (Barcelona), Cairo Contemporary Days, Poetes del So (Barcelona), Joves Intèrprets Catalans (JIC), Festival Internacional de Percussió de Catalunya (Barcelona), Nachtklänge Karlsruhe, Festival Novelum Toulouse, Festival AIMS (Solsona), OUT·SIDE (Barcelona, Amposta), Festival de Audio Tangente (Burgos), Academia de ópera contemporánea (Buenos Aires), ME_MMIX (Mallorca), Mostra Sonora de Sueca, Sèries Interval (Placa Base, Mallorca), Rencontres Architecture Musique Ecologie R.A.M.E. (Schloss Leuk, Switzerland), China-ASEAN Music Week (Nanning, China), Cicle Neu de noves músiques (Barcelona), Festival Sirga (Flix, Spain), Arena Contemporary Music Festival (Riga, Latvia), Festival Forum Wallis (Switzerland), Pirineus Mediterrània Modern (Barcelona, Mallorca, Montpellier), Der Sommer in Stuttgart, Festival EMA (Madrid), Festival Moonbreaker (Berlin), Pulse concert series (Bremen), Kollab concert series (Bremen), Biennal de Quartets de Corda (Barcelona), Gare du Nord (Basel), IGNM (Bern), SMOG (Brussels), PROGR (Bern), Fulldome Festival (Jena), Kultur im Bunker (Bremen), Plantage 13 (Bremen), Casa Montjuic (Barcelona), Kleine Bühne (Basel), PROGR (Bern), Kunstraum Walcheturm (Zürich), Conservatorio de Córdoba (Córdoba), kHaus (Basel), Les 6 toits (Geneva), Riehen (Basel), Gard du Nord (Basel), Es Baluard (Palma de Mallorca), Les 6 toits (Geneva).

 

Recordings

Portrait recording: “Multiplicidad”. Col legno; New Colors.

Interpretación Musical Creación INJUVE 2011.

Composición de Música Contemporánea INJUVE 2011.

MUR#01. Neu Records 2026.

Albedo. Neu Records. 2027.

SUMMA series. Neu Records 2027.

As artistic director:

Morton Feldman: “Bass Clarinet and Percussion”. CrossingLines. Neu Records.

 

Scholarship, prizes and institutional support

Composition prize of the Ernst von Siemens Musikstiftung 2014, Becas Leonardo a Investigadores y Creadores Culturales de la Fundación BBVA, XIX Premio de Composición del Colegio de España y del I.N.A.E.M, Premio de composición Injuve (acc.) 2011.

Supported by the Departament de Cultura de Catalunya, Consell de les Arts de Catalunya (CONCA), DAAD Stibet-Programm, French Ministry of Culture, Hoepfner Foundation, Christoph und Stephan Kaske Stiftung, Oficina de Suport a la Iniciativa Cultural (OSIC), Institut Català de les Empreses Culturals (ICEC), International Labour Organization, Comisiones Obreras (CCOO), Escola de Mitjans Audiovisuals (EMAV).

 

Curator and cultural management

Founder, artistic director, manager and musician of the CrossingLines ensemble in Barcelona (2009-2017).

Founder and artistic director of the OUT·SIDE concert series of new music in contemporary art centers. Founder of the production company OUT· for the production and promotion of unusual music. (2016-2023)

Currently: support and funding applications for the groups FRAMES Percussion.

 

Teaching

Courses, conferences or master classes at Hochschule für Musik und Theater Hamburg, ESMUC (Barcelona), Musikene (Donosti), Conservatori Superior de Música del Liceu (Barcelona), Mallorca Summer Academy, II Jornadas de Sonología Conservatorio Superior Municipal de Córdoba, Dialogos en creación de la BBVA (Madrid), Real Conservatorio Superior de Música de Madrid.

Composition teacher at the Taller de Músics Escola Superior d’Estudis Musicals (ESEM, 2016).

 

General musical training

Initially self-taught.

Piano and Trombone Degree; Conservatori Municipal de Música de Barcelona (CMMB).

Electric Guitar (Jazz and Modern Music), Jazz Theory, Big Bang arrangements; Taller de Músics, Barcelona.

Member of the Jove Orquestra Percussionista de Catalunya (JOPC).

Modular synth and electronic devices performer (self-taugh).

 

Languages

Spanish, Catalan, Lower Ribagorzan Aragonese, English, German, starting with French.

 

Other Activities

Musical edition at the Neu Records label.
Assistant in the instrument park of the ESMUC